The Kalinga Literary Festival 2025 in Bhubaneswar was a vibrant confluence of literature, art, and cultural heritage. Among the many highlights of this grand celebration was the presence of renowned Indian lyricist Sameer Anjaan, whose participation added a lyrical charm to the festival’s atmosphere.
At the heart of the festival’s cultural showcase stood the Odishicrafts stall—a stunning display of Odisha’s timeless artistry. Drawing crowds with its intricate and soulful creations, the stall paid homage to the state’s traditional crafts, particularly the revered Pattachitra art form.
One masterpiece that stood out was a kettle adorned with a Dashavatar Pattachitra painting, vividly depicting the ten incarnations of Lord Vishnu. The intricate storytelling, rich symbolism, and vivid colors of the artwork captivated Sameer Anjaan, who was visibly moved by the craftsmanship and spiritual depth of the piece.
Expressing his admiration, the iconic lyricist praised the artisans behind the work, calling it a “living canvas of culture.” His appreciation brought immense pride to the Odishicrafts team, as his recognition served as a powerful nod to the enduring legacy of Odisha’s traditional art forms.
Sameer Anjaan’s interaction with the stall not only elevated its presence at the festival but also inspired countless attendees to engage with and support indigenous craftsmanship. What began as a moment of artistic admiration became a celebration of heritage, creativity, and cultural pride.
As the curtains closed on the Kalinga Literary Festival 2025, one moment lingered in the hearts of many—the sight of a celebrated lyricist pausing to admire a Dashavatar Pattachitra kettle, and in doing so, spotlighting the timeless beauty of Odisha’s artistic soul.